Oh, look @ that - pictures finally. Kinda offcentre, but visuwell 3nuff...I think I'll replace those when I learn how to do this better. Ta very much Renee, who gave me this link to imageshack. 'nother one of those gift-economies, I think...or m4ybe now they'll come 4nd tak3 my l1\/3r. 33P! Anyhoo, for now they host my pics, fr33! Just go an plonk 'em in and then wh4ck the code back into yer template 0r p0st!
Y0'\_/v'3 no 1de4 how long that took. I've completely run out of time - but learned a skill for life. Just keep telling myself that.
Cy4all.
Friday, May 28, 2004
Yesterday I mentioned in passing the lack of spectacular results for the Eureka 147 digital radio transmission system. Part of this is the lack of newness - I mean: It's just radio, right? Yes, the quality is a bit better, you don't ever have to retune when you travel and you can get the name of the song you're listening to, reading out on your receiver. According to some critics that isn't enough (see the essay by Giles Tanner I linked in this post). However, I've been pointed to this old Wired article (1993 to be precise) by Mitchell Kapor. Along with examining the machinations of the various tech players of the time as market-regulations were being rolled back, it examines, here, the idea of open vs. closed networks.
Openness is either present or absent in every aspect of the network. A network is either open or closed with respect to who may have access to it, who determines its specific uses, who may supply content, who can provide the equipment used, how interfaces and standards are determined, and whether the technical details are public or private.It is from this openness in design that such a notion as 'gift economies' can arise. I was a little cynical at first, but this is really true, isn't it? By the very design of the internet it is difficult to take away the possibility of its use in this manner. Take that you capitalists.
In its fundamental architecture and, increasingly, in its policies, the Internet is an ideal example of an open network. It is an interactive medium based on two-way communications, where people can fluidly shift from position of listener to that of speaker, from role of consumer to that of provider.
However, as Kapor goes on to say "[w]e should be paying attention to issues of openness today because while it is easy to build openness into networks, it is difficult to add it after the fact..." Although Kapor does not directly refer to it, radio exemplifies a closed network & one that didn't have to be. For more on the foreclosing of these possibilities for analogue radio (public access in the 20s, low power, miniature broadcasting in the late 90s, or the very idea of communicating forth and back) see the first three chapters of "Communities of the air" (it's in the SS&H stack). The point is that radio never had to be a 'one broadcasting to many' network but all alternatives have (been) disappeared.
Old ways of thinking die hard, particularly when they were weaned by legally enforced monopolies. Content will be supplied only by a carefully chosen set of providers, barriers to entry will be created for everyone else. Programming will still seek the least common denominator, and the population will be divided by income into information haves and have-nots.I note that Foxtel digital (TV) is promoting 'design-your-own' sports programming, but doesn't really mean it in any strong sense. There is every reason to believe that, as bandwidth increases, consumers fortunate enough to live on an off-ramp of the info-supa-hiway will be able to choose their own schedule of TV programming and customise many stylistic features. That's nice - but still a world away from the egalitarianism of the internet. That could be built into a digital radio network, by, for instance, a government dedicating part of the broadcast spectrum to interactive, community use and commissioning the software and hardware for it. So far I haven't heard any mention of this - well I mean, really, was I gonna?
Is that the future for digital radio then? I wonder if not only the excitement that's been missing for digital radio but a future that's heartwarminly leftwing as well, is down another avenue that appears to be soon, foreclosed.
Thursday, May 27, 2004
Gack (which is a verb - to gack)!
It is very hard to find the time to post enough. Especially when I've been wasting my time doing stoopid stuff like writing up playlists: Please find the one for my show yesterday, here.
I got kinda sick of chasing increasingly smaller numbers of (highly biased) press-releases about digital radio around the web, so I've been leaning on a bunch'a people I know who know stuff 'bout the dig'.
So far I'm finding out stuff I already knew.
Streaming radio on the internet is kewl (and here is an index of a great number of stations that do) and gives u a global audience and in 2002, apparently 920,000 Ozfolk took advantage of it. This figure is expected to peak at about 5.5 million in 2008 (augh, the technofolk are taking over). All this info comes from the Centre for Telecommunications Information Networking and can be downloaded from the ABA website. It's not even that expensive - except if you are community (read skidrow) radio 4ZzZ. Then it becomes an unbelievable extravegance when capital could be directed toward investments, like, paying the powerbill.
Also coming at us from the unfortunate spectrum - d1git4l r4d10 is still a h0r1z0n technology and as such, the following irritations apply:
- Digital receivers are only owned by millionaires with the space to house a baby-rhino.
- It's r34lly advanced - so Australia will only do it when the Japanese r b0red with it and the Americans (OK and the Brit1sh) say it's 0K.
- 1nvesting in the t3ch @ this stage is kinda dicey, coz, since 0zstralia is a relatively small market (globally), if our chosen dig1t4l infrastructure is dumped by the rest of the world - we'll have to do some very expensive backpedalling (like 4ll u f00s who bought b3t4max video-recorders).
Actually, although it was cool and funny to say that stuff, a lot of these issues (as my previous posts atest) have come some way to being s0rt1d.
Receiver tech. is leaping ahead (and down in price) and Australia is trialling the transmitters and receivers. What might still be a cloud of obselesence on the horizon (0f tech[/]ology)is the transmission platform: Eureka 147. Takeup has never been big enough (especially since the US hasn't and is developing its own system), nor the results spectacular enough to warrant any certainty of its survival. Working strongly in its favour is the federal government - I don't have time to put proper links right now but this Productivity Commission report details how proactively the fed.s have been spruicking dig. radio.
So, the federal government wants it. The commercials have jumped on board for the trials and the results - well, you'll have to wait till late 2005 for this first trial. Geesh (another verb)!
Again I don't have time to link this properly but I found out more about who Broadcast Australia (the owners of more of Oz's broadcasting infrastructure than anyone else by a long way) are. They were formerly the Department of Broadcasting, when the federal government privatised them (come on guys - you'd privatise your Grandmother) they were bought by British telecommunications giant NTL. In the interim NTL sold them to the Macquarie Communications Infrastructure Group, the 'keystone asset' (like that's supposed to reassure you they won't strip it of saleable value and dump the carcass) of Macquarie Bank, whose primary interest is international finance. It is in turn owned by Chase Manhattan, an even bigger bank with an even bigger interest in international finance and - strangely - comparatively little interest in public service delivery obligations of Australian broadcasting.
I gleaned the factual bits of that from a former Telstr4 executive I know (the radical left interp. is all m1ne).
0K, my little communists, here ends todays lesson from the little red bewk,
I have to go and sn1p3 @ some r\_/nn1ng d4wgs.
Cya,
C.